In a rehearsal-room conversation during Antigone (This Play I Read in High School), Susannah Perkins interviews Celia Keenan-Bolger about grief, ambition, long theatrical runs, and what it means to lose yourself onstage.

The National Endowment for the Arts grant cancellations disrupted budgets at theaters across the country. A look at how some of New York’s innovative venues are adapting — and finding ways to keep going.

Playwright Carolina Đỗ on the tight-knit community and bureaucratic absurdities that shaped ExtraO1dinary Aliens!, her new romantic comedy about immigration.

With their new show at New York Theatre Workshop, Abigail and Shaun Bengson make open captions, relaxed performances, and integrated design part of their art.