The Barrow Group’s 40-Year Experiment in Realism
The theater company’s classes and productions have shaped artists across the city—and now Scott Organ’s new play Diversion demonstrates why its “non-acting acting” remains so resonant.
By Jude Cramer
The theater company’s classes and productions have shaped artists across the city—and now Scott Organ’s new play Diversion demonstrates why its “non-acting acting” remains so resonant.
By Jude Cramer