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    <loc>https://www.readthehat.com/articles</loc>
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    <lastmod>2026-03-31</lastmod>
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  <url>
    <loc>https://www.readthehat.com/articles/what-we-did-before-our-moth-days-john-early-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/93ea3e10-e7e7-4e94-bc85-9c133e97625e/Hope+Davis%2C+Josh+Hamilton%2C+Maria+Dizzia%2C+and+John+Early+by+Julieta+Cervantes+%281%29+copy.jpeg</image:loc>
      <image:title>Articles - John Early Lets the Mystery In - Make it stand out</image:title>
      <image:caption>Hope Davis, Josh Hamilton, Maria Dizzia, and John Early in What We Did Before Our Moth Days, a new play by Wallace Shawn at Greenwich House Theater. Photo: Julieta Cervantes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/431539db-46a0-4d2c-8ed8-23a2cb39b108/Hope+Davis+and+John+Early+by+Luis+Manuel+Diaz.jpg</image:loc>
      <image:title>Articles - John Early Lets the Mystery In - Make it stand out</image:title>
      <image:caption>Hope Davis and John Early in What We Did Before Our Moth Days. Photo: Luis Manuel Diaz.</image:caption>
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  </url>
  <url>
    <loc>https://www.readthehat.com/articles/you-got-older-anne-kauffman-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/7a8562d2-4e5d-40b5-b4b5-61128c151911/F+-+Misha+Brooks+and+Caleb+Joshua+Eberhardt.+B+-+Peter+Friedman%2C+Paul+Cooper%2C+Clare+Barron%2C+Anne+Kauffman%2C+Alia+Shawkat%2C+Nadine+Malouf%2C+and+Nina+White+at+the+Opening+Night+of+YOU+GOT+OLDER+-+Photo+by+Emilio+Madrid.jpg</image:loc>
      <image:title>Articles - Anne Kauffman Meets Her Past Self in “You Got Older” - Make it stand out</image:title>
      <image:caption>At the opening night of Clare Barron’s You Got Older at Cherry Lane Theatre. Front: Misha Brooks and Caleb Joshua Eberhardt. Back: Peter Friedman, Paul Cooper, Clare Barron, Anne Kauffman, Alia Shawkat, Nadine Malouf, and Nina White. Photo: Emilio Madrid.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/1e387155-ff24-4b2b-857f-792b27bc4927/Page+73+%281%29.jpg</image:loc>
      <image:title>Articles - Anne Kauffman Meets Her Past Self in “You Got Older” - Page 73 co-founder Liz Jones, director Anne Kauffman, and playwright Clare Barron in 2014.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/43c4e115-c37b-4380-ab41-64d93dde984d/Danny+Burstein%2C+Cynthia+Nixon%2C+June+Squibb+in+MARJORIE+PRIME+-+Photo+by+Joan+Marcus.jpg</image:loc>
      <image:title>Articles - Anne Kauffman Meets Her Past Self in “You Got Older” - Make it stand out</image:title>
      <image:caption>Danny Burstein, Cynthia Nixon, and June Squibb in the 2025 Broadway revival of Jordan Harrison’s Marjorie Prime, directed by Anne Kauffman. Photo: Joan Marcus.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/3d1d6263-5d5c-47fa-a031-d9c323647e08/Photo+by+David+Jacobson+%282%29.jpg</image:loc>
      <image:title>Articles - Anne Kauffman Meets Her Past Self in “You Got Older” - Make it stand out</image:title>
      <image:caption>Anne Kauffman prepping the latest production of You Got Older at Cherry Lane Theatre twelve years after she first directed the play. Photo: David Jacobson.</image:caption>
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  </url>
  <url>
    <loc>https://www.readthehat.com/articles/libby-carr-calf-scramble-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/2c7ea89a-6c3c-452a-81bd-abaf98a0fa64/Maaike+Laanstra-Corn%2C+Elisa+Tarquinio+and+Gabriela+Veciana+in+Primary+Stages%27s+CALF+SCRAMBLE%2C+photo+by+James+Leynse.jpeg</image:loc>
      <image:title>Articles - Moooving with “Athleticism, Brutality, Sweetness” in “Calf Scramble” - Make it stand out</image:title>
      <image:caption>Maaike Laanstra-Corn, Elisa Tarquinio and Gabriela Veciana in Primary Stages's Calf Scramble, written by Libby Carr and directed by Caitlin Sullivan. Photo: James Leynse.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/8b626fc9-4863-4ff7-9d56-3e1ce24eda35/Libby+Carr+Calf+Scramble+Excerpt.png</image:loc>
      <image:title>Articles - Moooving with “Athleticism, Brutality, Sweetness” in “Calf Scramble” - An excerpt from Calf Scramble by playwright Libby Carr, in which they use varied font sizes and multiple columns to bring the rodeo to life.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/75cd459c-09ff-4872-a1c4-26e047d84a5e/Ferin+Bergen+and+Marvelyn+Ramirez+in+Primary+Stages%27s+CALF+SCRAMBLE%2C+photo+by+James+Leynse+%282%29.jpg</image:loc>
      <image:title>Articles - Moooving with “Athleticism, Brutality, Sweetness” in “Calf Scramble” - Make it stand out</image:title>
      <image:caption>Ferin Bergen and Marvelyn Ramirez in Calf Scramble, currently playing at 59E59 Theaters. Photo: James Leynse.</image:caption>
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  </url>
  <url>
    <loc>https://www.readthehat.com/articles/bughouse-henry-darger-john-kelly-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/e62a298e-49dc-4bdf-9b67-f9ed48422dd8/BUGHOUSE+John+Kelly+Photo+by+Carol+Rosegg+1.png</image:loc>
      <image:title>Articles - In “Bughouse,” John Kelly Sketches a Portrait of the Artist&amp;nbsp;&amp;nbsp; - Make it stand out</image:title>
      <image:caption>John Kelly as outsider artist Henry Darger, a reclusive janitor who secretly created hundreds of paintings and a 15,000-page book in his Chicago apartment. Photo: Carol Rosegg.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/29a3bd3b-0e33-481a-a528-19a9921684f7/BUGHOUSE+John+Kelly+Photo+by+Carol+Rosegg+2.png</image:loc>
      <image:title>Articles - In “Bughouse,” John Kelly Sketches a Portrait of the Artist&amp;nbsp;&amp;nbsp; - Make it stand out</image:title>
      <image:caption>During his research for the role, John Kelly says he developed “enormous compassion” for Darger. Photo: Carol Rosegg.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.readthehat.com/articles/susannah-perkins-celia-keenan-bolger-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/0f8f2b47-389e-4ff8-a120-52a928b5a522/01.+Antigone_Reh_0007rR.jpg</image:loc>
      <image:title>Articles - Susannah Perkins and Celia Keenan-Bolger on Mothers, Death, and Dissolving the Self - Make it stand out</image:title>
      <image:caption>Celia Keenan-Bolger and Susannah Perkins in rehearsal for Antigone (This Play I Read in High School) by Anna Ziegler and directed by Tyne Rafaeli. Photo: Joan Marcus.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/b8805514-6c4b-4771-a3a9-0fa5f62d54c8/Celia+Keenan-Bolger+Family.jpeg</image:loc>
      <image:title>Articles - Susannah Perkins and Celia Keenan-Bolger on Mothers, Death, and Dissolving the Self - Make it stand out</image:title>
      <image:caption>Snapshots of family life: Celia Keenan-Bolger’s mother, Susan Keenan; with a young Celia; and with Celia’s father Rory Bolger. Photos courtesy of Celia Keenan-Bolger.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/9dde01ee-9f71-487a-bd53-fbc4842f72dc/Celia+Keenan-Bolger+Family+2.jpeg</image:loc>
      <image:title>Articles - Susannah Perkins and Celia Keenan-Bolger on Mothers, Death, and Dissolving the Self - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/1e000d54-fb3a-44d8-8b96-5f9161e93b14/Celia+Keenan-Bolger+Family+3.jpeg</image:loc>
      <image:title>Articles - Susannah Perkins and Celia Keenan-Bolger on Mothers, Death, and Dissolving the Self - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/66734b48-4c31-42b3-a2ba-37a00fd7edee/Susannah+Perkins+and+Mom+Leanne+Perkins.JPG</image:loc>
      <image:title>Articles - Susannah Perkins and Celia Keenan-Bolger on Mothers, Death, and Dissolving the Self - Make it stand out</image:title>
      <image:caption>Susannah Perkins and their mother Leanne Perkins at the premiere of Sarah DeLappe’s The Wolves at Lincoln Center Theater’s Mitzi E. Newhouse Theater on November 20, 2017. Photo courtesy of Susannah Perkins.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/4378d38f-9a6a-4844-9a80-433ce22c22e7/08.+Antigone_Reh_0099rR.jpg</image:loc>
      <image:title>Articles - Susannah Perkins and Celia Keenan-Bolger on Mothers, Death, and Dissolving the Self - Make it stand out</image:title>
      <image:caption>Celia Keenan-Bolger plays the Chorus in Antigone (This Play I Read in High School). Photo: Joan Marcus.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/e6ef775c-674a-4354-94eb-3b7f77f2e1fa/09.+Antigone_Reh_0108rR.jpg</image:loc>
      <image:title>Articles - Susannah Perkins and Celia Keenan-Bolger on Mothers, Death, and Dissolving the Self - Make it stand out</image:title>
      <image:caption>Susannah Perkins plays the title character in Antigone (This Play I Read in High School). Photo: Joan Marcus.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/84a3a3cc-c3fb-4b8f-adca-441523124fe9/Cat+Meme.PNG</image:loc>
      <image:title>Articles - Susannah Perkins and Celia Keenan-Bolger on Mothers, Death, and Dissolving the Self - The meme Susannah Perkins can’t stop thinking about.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/dd997762-aee4-44da-8e22-c9552dd46433/Antigone_Cast_Portraits_2025_0302_HR_Final_Credit_Marc_J_FranklinR.jpg</image:loc>
      <image:title>Articles - Susannah Perkins and Celia Keenan-Bolger on Mothers, Death, and Dissolving the Self - Make it stand out</image:title>
      <image:caption>The cast of Anna Ziegler’s Antigone (This Play I Read in High School). Photo: Marc J. Franklin.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.readthehat.com/articles/nea-grant-cuts-off-broadway-theater</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/112a771c-0eb6-4624-84ac-adc59d072672/HERE-Space-Mainstage2.jpg</image:loc>
      <image:title>Articles - One Year After the NEA Cuts: How Off-Off-Broadway Is Holding On - Make it stand out</image:title>
      <image:caption>The main stage at HERE Arts Center, founded in 1993, which presents multi-disciplinary performances co-produced with small theaters.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/51372379-0b05-4ce6-9e9f-ff882231a3af/087A9999.JPEG</image:loc>
      <image:title>Articles - One Year After the NEA Cuts: How Off-Off-Broadway Is Holding On - Make it stand out</image:title>
      <image:caption>A moment from Sugar Vendil’s Antonym: Scenes of Childhood, performed at JACK in Clinton Hill, Brooklyn. Photo: Eric Hodgman.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/64b3f7d9-968d-482d-8a4e-1690aaa9ac69/The+Company.jpg</image:loc>
      <image:title>Articles - One Year After the NEA Cuts: How Off-Off-Broadway Is Holding On - Make it stand out</image:title>
      <image:caption>The company of At the Barricades, produced by What Will the Neighbors Say? at MITU580 in Brooklyn. Photo: Pablo Calderón-Santiago.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/ac0c1bbc-362f-4299-941c-cc27111fd0a2/HERE+Co-Directors+Lanxing+Fu%2C+Annalisa+Dias%2C+Jesse+Cameron+Alick%2C+and+Lauren+Miller+Photo+credit+Zayira+Ray.jpg</image:loc>
      <image:title>Articles - One Year After the NEA Cuts: How Off-Off-Broadway Is Holding On - Make it stand out</image:title>
      <image:caption>HERE Arts Center co-directors Lanxing Fu, Annalisa Dias, Jesse Cameron Alick, and Lauren Miller (who left the organization in January to focus on political organizing). Photo: Zayira Ray.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.readthehat.com/articles/carolina-do-immigration-theater-essay</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/f3c82afb-b1a0-4875-97f4-aa39329247a2/Alien+Still+1.jpg</image:loc>
      <image:title>Articles - Love, Art, and the O-1 Visa - Make it stand out</image:title>
      <image:caption>Marlon Xavier and Belle T. Le in Carolina Đỗ’s new play ExtraO1dinary Aliens!, running in March at JACK in Brooklyn. Photo: Vas Eli.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/b4c2af65-16c7-4c67-a949-6b6d7a21bdb2/DOG08828.jpg</image:loc>
      <image:title>Articles - Love, Art, and the O-1 Visa - Make it stand out</image:title>
      <image:caption>Vas Eli, Julie Tran, and Matthew Zimmerman in rehearsal for ExtraO1dinary Aliens! Photo: Carolina Đỗ.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.readthehat.com/articles/bengsons-my-joy-is-heavy-radical-access</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/20544375-89ff-4f8d-b02c-963564a5524e/Shaun+%26+Abigail+Bengson%2C+photo+by+Marcus+Middleton.jpg</image:loc>
      <image:title>Articles - In “My Joy Is Heavy,” The Bengsons Bring Radical Access Center Stage - Make it stand out</image:title>
      <image:caption>Shaun and Abigail Bengson in rehearsal for their new show, My Joy is Heavy, at New York Theatre Workshop. Photo: Marcus Middleton.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/5794e4b8-5e5b-4b51-96a9-2869e02a96bf/The+cast+%26+creative+team+of+MY+JOY+IS+HEAVY%2C+photo+by+Marcus+Middleton.jpg</image:loc>
      <image:title>Articles - In “My Joy Is Heavy,” The Bengsons Bring Radical Access Center Stage - Make it stand out</image:title>
      <image:caption>The cast and creative team of My Joy is Heavy, which began five years ago as a digital performance during the pandemic. Photo: Marcus Middleton.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.readthehat.com/articles/edward-off-broadway-theater-bookstore</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/82fba8c1-c2a2-4df6-8dc0-caec458a0c47/EDWARD+Rizzoli+-+credit+Emma+Callahan.jpg</image:loc>
      <image:title>Articles - What Do Indie Bookstores and Off-Broadway Theater Have in Common? - Make it stand out</image:title>
      <image:caption>Ed Schmidt performing in Edward, a site-specific play set in bookstores around New York City (here at Rizzoli). Photo: Emma Callahan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/c74a670a-8ddb-4931-a78f-312377a06dd1/IMG_8542.jpeg</image:loc>
      <image:title>Articles - What Do Indie Bookstores and Off-Broadway Theater Have in Common? - Make it stand out</image:title>
      <image:caption>Westsider Rare and Used Books, established on Manhattan’s Upper West Side in 1971. Photo: Catherine Sawoski.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/ad672078-9ae7-4adc-92b7-04f9241974c8/Bookstore_13.jpg</image:loc>
      <image:title>Articles - What Do Indie Bookstores and Off-Broadway Theater Have in Common? - Make it stand out</image:title>
      <image:caption>Janet Zarish, Ari Derambakhsh, and Arielle Goldman in The Bookstore at 59E59 Theaters, with set design by Jessica Parks. Photo: Hunter Canning.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/e2a59a10-61a6-4980-befb-d7fcb7a8bf0b/IMG_6320.jpeg</image:loc>
      <image:title>Articles - What Do Indie Bookstores and Off-Broadway Theater Have in Common? - Make it stand out</image:title>
      <image:caption>A corner of Drama Book Shop, which reopened in 2021 on West 39th Street, spearheaded by Hamilton’s Lin-Manuel Miranda, Thomas Kail, Jeffrey Seller, and James L. Nederlander.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.readthehat.com/articles/aigner-mizzelle-the-monsters-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/0e021361-8944-4e75-bf6d-83f8cdc03e4c/248+-+Aigner+Mizzelle+as+LIL%2C+with+Okieriete+Onaodowan+as+BIG+in+The+Monsters%2C+written+and+directed+by+Ngozi+Anyanwu+%C2%A9+T.+Charles+Erickson.jpg</image:loc>
      <image:title>Articles - Aigner Mizzelle Steps into the Ring - Make it stand out</image:title>
      <image:caption>In preparation for the role of Lil, an aspiring fighter in Ngozi Anyanwu’s new play The Monsters, Aigner Mizzelle trained with an MMA fighter and called upon her years of experience in ballet, jazz, modern dance, and hip-hop. Photo: T. Charles Erickson.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/d7f302df-df85-4c5b-9ea8-3648e271e2ff/057+-+Okieriete+Onaodowan+as+BIG%2C+with+Aigner+Mizzelle+as+LIL+in+The+Monsters%2C+written+and+directed+by+Ngozi+Anyanwu+%C2%A9+T.+Charles+Erickson.jpg</image:loc>
      <image:title>Articles - Aigner Mizzelle Steps into the Ring - Make it stand out</image:title>
      <image:caption>Okieriete Onaodowan and Aigner Mizzelle portray estranged siblings Big and Lil in The Monsters, written and directed by Ngozi Anyanwu. Photo: T. Charles Erickson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/6ad21420-3021-4bb0-ba21-ca5b7bd95875/264+-+Aigner+Mizzelle+as+LIL%2C+with+Okieriete+Onaodowan+as+BIG+in+The+Monsters%2C+written+and+directed+by+Ngozi+Anyanwu+%C2%A9+T.+Charles+Erickson.jpg</image:loc>
      <image:title>Articles - Aigner Mizzelle Steps into the Ring - Make it stand out</image:title>
      <image:caption>Meeting as adults, Lil and Big reckon with their past while they both look toward the future. Photo: T. Charles Erickson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.readthehat.com/articles/marshall-pailet-ethan-slater-marcel-on-the-train</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/d4e3d562-4d10-441b-813c-fd7bc9621423/Ethan+Slater+and+Marshall+Pailet_Marcel+Classic+Stage_Emilio+Madrid_0226.jpg</image:loc>
      <image:title>Articles - Marshall Pailet Is Just Trying to Create Delight in the Darkness - Make it stand out</image:title>
      <image:caption>Ethan Slater and Marshall Pailet are co-writers of Marcel on the Train, a new play about the French mime Marcel Marceau, running at Classic Stage Company. Photo: Emilio Madrid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/f37ab607-7fa8-430d-a9c3-91f996425c2f/Marcel+Classic+Stage_Photo+by+Emilio+Madrid_0505.jpg</image:loc>
      <image:title>Articles - Marshall Pailet Is Just Trying to Create Delight in the Darkness - Make it stand out</image:title>
      <image:caption>Wicked film star and Tony Award nominee Ethan Slater steps into the shoes of Marcel Marceau in Marcel on the Train. Photo: Emilio Madrid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/b1c8e787-8bbf-467b-a23b-22906d60f32a/DSC09191.jpg</image:loc>
      <image:title>Articles - Marshall Pailet Is Just Trying to Create Delight in the Darkness - Make it stand out</image:title>
      <image:caption>Slater and Pailet in rehearsals for the Marcel on the Train at Classic Stage Company. Photo: Andrew Patino/Regular People.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.readthehat.com/articles/regular-people-off-broadway-producing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/79191409-9f5f-4170-8f55-c4a2d4254044/Screenshot+2026-02-01+at+11.10.00+PM.png</image:loc>
      <image:title>Articles - It’s a Play! It’s an Event! It’s a Regular People Production - Make it stand out</image:title>
      <image:caption>An example of Regular People’s marketing campaign for Joe White’s play Blackout Songs, as seen on their Instagram @reg_ppl.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/bb2ad045-ff5c-446d-b77f-423bf4911faf/Regular+People+Launch+Party_Emilio+Madrid_7576.jpeg</image:loc>
      <image:title>Articles - It’s a Play! It’s an Event! It’s a Regular People Production - Make it stand out</image:title>
      <image:caption>Regular People co-founders Jacob Stuckelman and Andrew Patino at the company’s launch party in January 2026. Photo: Emilio Madrid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/0343bb8c-46bb-4cec-bae4-60882af7a204/WILYG_07%28c%29Emilio+Madrid.jpg</image:loc>
      <image:title>Articles - It’s a Play! It’s an Event! It’s a Regular People Production - Make it stand out</image:title>
      <image:caption>Quincy Tyler Bernstine in Bubba Weiler’s Well, I’ll Let You Go at The Space at Irondale, the second production by Regular People. Photo: Emilio Madrid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/5a2b656c-7763-478f-a6f7-cd7489696fd1/D%26O_04%28c%29Emilio+Madrid.jpg</image:loc>
      <image:title>Articles - It’s a Play! It’s an Event! It’s a Regular People Production - Make it stand out</image:title>
      <image:caption>Regular People’s inaugural production featured Juan Castano, Julia Chan, and Ryan Spahn in Ken Urban’s Danger &amp; Opportunity, directed by Jack Serio at East Village Basement. Photo: Emilio Madrid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/ce5cc674-e799-4c3d-913b-25b7743b73d3/BOS_08_Abbey_Lee_Owen_Teague%28c%29Emilio+Madrid.jpg</image:loc>
      <image:title>Articles - It’s a Play! It’s an Event! It’s a Regular People Production - Make it stand out</image:title>
      <image:caption>Abbey Lee and Owen Teague in Joe White’s Blackout Songs, directed by Rory McGregor at MCC’s Susan &amp; Ronald Frankel Theater. Photo: Emilio Madrid.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.readthehat.com/articles/alex-lin-playwright-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/5550dfe5-8081-49b6-9d3d-64b1e4ef4e61/HJChow_RTC_CR_PressDay_43+copy.jpeg</image:loc>
      <image:title>Articles - Alex Lin Has Been Building Toward This Moment - Make it stand out</image:title>
      <image:caption>Playwright Alex Lin is having a two-show season, including her upcoming Chinese Republicans at Roundabout Theatre Company. Photo: HanJie Chow.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/4d268907-c90b-4721-a9ef-6ac5f1e60067/HJChow_RTC_CR_PressDay_126.jpg</image:loc>
      <image:title>Articles - Alex Lin Has Been Building Toward This Moment - Make it stand out</image:title>
      <image:caption>Jully Lee and Anna Zavelson in rehearsal for Chinese Republicans. Photo: HanJie Chow.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/e24c48bb-8130-4181-97bf-d602531efb03/HJChow_RTC_CR_PressDay_158+copy.jpeg</image:loc>
      <image:title>Articles - Alex Lin Has Been Building Toward This Moment - Make it stand out</image:title>
      <image:caption>Chinese Republicans director Chay Yew in rehearsal. Photo: HanJie Chow.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.readthehat.com/articles/david-cale-the-unknown-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/d6c24329-fe48-421e-9aa2-09d73eb9b22d/unknown_reh_13color.jpg</image:loc>
      <image:title>Articles - David Cale on the Art — and Challenge — of the Solo Show - Make it stand out</image:title>
      <image:caption>David Cale in rehearsal for The Unknown, his new solo play starring Sean Hayes and directed by Leigh Silverman at Studio Seaview. Photo: Austin Ruffer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/86be41ba-082f-4420-b156-409da17b74a6/HarryClarke0120+Billy+Crudup+as+HARRY+CLARKE+photo+by+Carol+Rosegg.jpg</image:loc>
      <image:title>Articles - David Cale on the Art — and Challenge — of the Solo Show - Make it stand out</image:title>
      <image:caption>Billy Crudup in David Cale’s Harry Clarke at the Vineyard Theatre in November 2017. Photo: Carol Rosegg.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/9461f419-14f3-4c32-81ba-ce0d29857627/9.+Marjan+Neshat+-+SANDRA+at+Vineyard+Theatre+-+Photo+Credit+Carol+Rosegg.jpg</image:loc>
      <image:title>Articles - David Cale on the Art — and Challenge — of the Solo Show - Make it stand out</image:title>
      <image:caption>Marjan Neshat in David Cale’s solo play Sandra, directed by Leigh Silverman, at Vineyard Theatre in November 2022. Photo: Carol Rosegg.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/643e655a-3129-4558-98f1-c03502d8e0e9/unknown_reh_17color.jpg</image:loc>
      <image:title>Articles - David Cale on the Art — and Challenge — of the Solo Show - Make it stand out</image:title>
      <image:caption>Sean Hayes, Cale, and director Leigh Silverman in rehearsal for The Unknown. Photo: Austin Ruffer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/c6116c27-05ec-4730-8521-39868214ea1a/WereOnlyAlive0167rR.jpg</image:loc>
      <image:title>Articles - David Cale on the Art — and Challenge — of the Solo Show - Make it stand out</image:title>
      <image:caption>David Cale performing in We’re Only Alive for a Short Amount of Time at the Public Theater in June 2019. Photo: Joan Marcus.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.readthehat.com/articles/gina-femia-creative-resilience-essay</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/4ebe3832-65e7-4703-be35-0dc59c400197/04.+Group+photo+Lisa+a+fantasia.jpg</image:loc>
      <image:title>Articles - On Creative Resilience and the Post-Show Blues - Make it stand out</image:title>
      <image:caption>The cast and creative team from Gina Femia’s new play lisa; a fantasia. Back row, left to right: Doug Harris, John J. Concado, Matt DaSilva, Sam Heldt. Front row, left to right: Alyssa Rios, Danielle Skraastad, Taylor Reynolds, Gina Femia, and Stacey Raymond.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/308edf40-39d7-483e-9d9c-ce2f8fcd48d7/02.+For+the+Love+Of+or+the+roller+derby+play+photo+credit+Craig+Schwartz.png</image:loc>
      <image:title>Articles - On Creative Resilience and the Post-Show Blues - Make it stand out</image:title>
      <image:caption>The cast of Theater of NOTE's production of Gina Femia’s For The Love Of (or, the roller derby play), including Tania Verafield, Jenny Soo, Alina Phelan, Crystal Diaz, Yolanda Snowball, Faith Imafidon, Lynn Odell, Briana Price, Liesel Hanson, and Faith Imafidon at Center Theatre Group’s Kirk Douglas Theatre in Los Angeles. Photo: Craig Schwartz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/50dda5f4-701d-40b5-bb5a-7228a618ffee/03.+Photo+credit+Isaiah+Tanenbaum.jpg</image:loc>
      <image:title>Articles - On Creative Resilience and the Post-Show Blues - Make it stand out</image:title>
      <image:caption>Boomerang Theater’s production of Gina Femia’s Mercutio Loves Romeo Loves Juliet Loves was performed at ART/NY in November 2024. From left to right: Rocky Vega, Stacey Raymond, and Leah Nicole Raymond. Photo: Isaiah Tanenbaum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.readthehat.com/articles/anne-gridley-watch-me-walk-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/f2d86239-aa92-4acb-b90e-3d15ef814eaf/A_Gridley_Watch_me_Walk_Baranova-1733.jpg</image:loc>
      <image:title>Articles - The Theatrical Audacity of Anne Gridley - Make it stand out</image:title>
      <image:caption>Anne Gridley, with Keith Johnson and Alex Gibson, in her autobiographical, not-quite solo show Watch Me Walk, produced by Soho Rep. Photo: Maria Baranova.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/d25fdd5a-fdd9-4418-9ea6-08f320b1fbc7/A_Gridley_Watch_me_Walk_Baranova-1555.jpg</image:loc>
      <image:title>Articles - The Theatrical Audacity of Anne Gridley - Make it stand out</image:title>
      <image:caption>Gridley dives into her family history with the genetic disorder hereditary spastic paraplegia. Photo: Maria Baranova.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/788ac073-62e7-4ed1-bbc1-94ad02bb5a53/A_Gridley_Watch_me_Walk_Baranova-73.jpg</image:loc>
      <image:title>Articles - The Theatrical Audacity of Anne Gridley - Make it stand out</image:title>
      <image:caption>While singing, dancing, climbing a ladder, and walking, Gridley commands the stage in Watch Me Walk. Photo: Maria Baranova.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.readthehat.com/articles/pete-simpson-interview-exponential-festival</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/3e3a6ef1-36e3-47c6-aac1-387dda146f48/Bad_Stars_Baranova-0121+Maria+Baranova.jpg</image:loc>
      <image:title>Articles - Pete Simpson Is Everyone Everywhere All at Once - Make it stand out</image:title>
      <image:caption>Pete Simpson played two roles in Amanda Horowitz’s Bad Stars‍ at Collapsable Hole in spring 2025. Photo: Maria Baranova.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/f61e00ed-413d-4dca-b977-a3f7066d1e5d/Blue+Man+Headshot.jpg</image:loc>
      <image:title>Articles - Pete Simpson Is Everyone Everywhere All at Once - Make it stand out</image:title>
      <image:caption>For 29 years, Pete Simpson performed in Blue Man Group, including in their music video for the show’s original song “Snorkelbone” (pictured here).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/c4c07037-9a0b-41f8-8ac2-8ac41e769bb1/Pete+Simpson+Headshot+Matthew+Stocke+copy.jpg</image:loc>
      <image:title>Articles - Pete Simpson Is Everyone Everywhere All at Once - Make it stand out</image:title>
      <image:caption>Pete, no longer blue. Photo: Matthew Stocke.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/4bc213f8-798c-4716-ba19-aa6b823e37fc/EIH_3.jpeg</image:loc>
      <image:title>Articles - Pete Simpson Is Everyone Everywhere All at Once - Make it stand out</image:title>
      <image:caption>Jan Leslie Harding, Pete Simpson, Petronia Paley, and Mia Katigbak in Peggy Stafford’s Everything Is Here, directed by Meghan Finn. Photo: Mari Eimas-Dietrich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/c8415b18-4fcd-4165-bafe-60ebe9c12726/Peter+Simpson+and+Layla+Khoshnoudi+Godbird+Rehearsal.jpg</image:loc>
      <image:title>Articles - Pete Simpson Is Everyone Everywhere All at Once - Make it stand out</image:title>
      <image:caption>Pete Simpson and Layla Khoshnoudi in rehearsal for Godbird, directed by Kedian Keohan, at the Exponential Festival. Photo courtesy Nurit Chinn.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.readthehat.com/articles/initiative-public-theater-greg-cuellar-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/f793e121-3726-4c91-a22f-dc08422e68ff/InitiativeJA-351.jpg</image:loc>
      <image:title>Articles - Inside a Role: Initiative’s Greg Cuellar on Seven Years, 9,000 Words, and That Five-Hour Play - Make it stand out</image:title>
      <image:caption>Greg Cuellar debuted the role of Riley in the Public Theater’s world premiere production of Initiative by Else Went and directed by Emma Rosa Went. Photo: Jackie Abbott.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/9a157e88-e302-4d75-aac6-6a01beca803a/Initiative_0183rR.jpg</image:loc>
      <image:title>Articles - Inside a Role: Initiative’s Greg Cuellar on Seven Years, 9,000 Words, and That Five-Hour Play - Make it stand out</image:title>
      <image:caption>Dungeons &amp; Dragons is a major pastime for Initiative’s high schoolers, played by Harrison Densmore, Christopher Dylan White, Greg Cuellar, Olivia Rose Barresi, and Andrea Lopez Alvarez. Photo: Joan Marcus.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/0770cd26-a3d2-4a58-bcc4-d650aec7cd5f/Initiative_0090R.jpg</image:loc>
      <image:title>Articles - Inside a Role: Initiative’s Greg Cuellar on Seven Years, 9,000 Words, and That Five-Hour Play - Make it stand out</image:title>
      <image:caption>Clara and Riley (Olivia Rose Barresi and Greg Cuellar) have a fraught high-school relationship in Initiative. Photo: Joan Marcus.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/3650b825-fb87-4a54-b7c8-9329afa600f7/IMG_6870.JPG</image:loc>
      <image:title>Articles - Inside a Role: Initiative’s Greg Cuellar on Seven Years, 9,000 Words, and That Five-Hour Play - Make it stand out</image:title>
      <image:caption>“For two months, all I did was memorize lines,” said Greg Cuellar, whose chunky, color-coded script for the five-hour play Initiative is seen here. Photos: Greg Cuellar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/fefda4bc-c1a3-493f-a9f1-bd7e41d77a8b/IMG_6872.JPG</image:loc>
      <image:title>Articles - Inside a Role: Initiative’s Greg Cuellar on Seven Years, 9,000 Words, and That Five-Hour Play - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/a78e92d5-8f25-4c7b-a55b-0839d4c2ef14/IMG_6878+%281%29.png</image:loc>
      <image:title>Articles - Inside a Role: Initiative’s Greg Cuellar on Seven Years, 9,000 Words, and That Five-Hour Play - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/6e4b6bff-21e4-4acf-8939-00fac4ba948b/000033960013.jpg</image:loc>
      <image:title>Articles - Inside a Role: Initiative’s Greg Cuellar on Seven Years, 9,000 Words, and That Five-Hour Play - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/7a12f05a-9c23-49bb-8de0-0fba49164315/000033960009.jpg</image:loc>
      <image:title>Articles - Inside a Role: Initiative’s Greg Cuellar on Seven Years, 9,000 Words, and That Five-Hour Play - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/bbdc5dcf-f7a1-443b-a8ca-3c1f464e3ea5/000033960005.jpg</image:loc>
      <image:title>Articles - Inside a Role: Initiative’s Greg Cuellar on Seven Years, 9,000 Words, and That Five-Hour Play - Make it stand out</image:title>
      <image:caption>Snapshots of a trip to Cambria: Spanish moss, pebbles at Moonstone Beach, and the shoreline. Photos: Greg Cuellar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/98240f6a-8c19-4966-b9cc-3ba59cbbe91f/Initiative_0001R.jpg</image:loc>
      <image:title>Articles - Inside a Role: Initiative’s Greg Cuellar on Seven Years, 9,000 Words, and That Five-Hour Play - Make it stand out</image:title>
      <image:caption>Greg Cuellar and Carson Higgins as Riley and Lo in Initiative. Photo: Joan Marcus.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.readthehat.com/articles/theater-showtimes-changing-2026</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/14873f3a-c679-4916-8447-f67c4b20c553/image.png</image:loc>
      <image:title>Articles - The Show Must Go On . . . at 5. Or 7. Or Midnight - Make it stand out</image:title>
      <image:caption>Theater companies, producers, and artists are upending traditional 2 p.m. and 8 p.m. curtain times. Photo: Harold Lloyd in Safety Last! (1923).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/c320dddc-de33-44a7-9b8b-786a29ee1aa0/UA_Cinema_Rocky_Horror.jpg</image:loc>
      <image:title>Articles - The Show Must Go On . . . at 5. Or 7. Or Midnight - Make it stand out</image:title>
      <image:caption>The Rocky Horror Picture Show’s midnight screenings led to its cult classic status. Photo: Mark James Miller, CC BY-SA 3.0, via Wikimedia Commons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/cceeccff-f64c-4b19-8a8a-cad621a9350f/Sam+Pinkleton+Photo+by+Marc+J.+Franklin.jpg</image:loc>
      <image:title>Articles - The Show Must Go On . . . at 5. Or 7. Or Midnight - Make it stand out</image:title>
      <image:caption>Director Sam Pinkleton is helming The Rocky Horror Show revival at Studio 54 in March 2026. Photo: Marc J. Franklin.</image:caption>
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    <image:image>
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    <priority>0.5</priority>
    <lastmod>2026-02-02</lastmod>
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      <image:caption>Sammi Cannold (center) and the creative and casting team of Zack Zadek’s new musical The Turning, which held in-room auditions last July. Photo courtesy of author.</image:caption>
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    <priority>0.5</priority>
    <lastmod>2026-02-02</lastmod>
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      <image:caption>Claudia Logan, Breezy Leigh, and Nedra Snipes — and the pole — in Nia Akilah Robinson’s Push Party, directed by Chesray Dolpha. Photo: Travis Emery Hackett.</image:caption>
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      <image:caption>Justin Mark, Angelina Fiordellisi, Austin Pendleton, and Francesca Carpanini — and the pole — in Rita Kalnejais’s This Beautiful Future, directed by Jack Serio. Photo: Emilio Madrid.</image:caption>
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      <image:caption>Ben Ahlers — and the pole — in Philip Ridley’s Tender Napalm, directed by Rory McGregor. Photo: Emilio Madrid.</image:caption>
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      <image:caption>Francesca Carpanini, Nina Ross, and Jasminn Johnson — and the pole — in Forest Malloy’s Nina, directed by Katie Birenboim. Photo: Emilio Madrid.</image:caption>
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    <priority>0.5</priority>
    <lastmod>2026-02-02</lastmod>
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      <image:caption>Amber Gray and Ryan J. Haddad in Lucas Hnath’s Tartuffe at New York Theatre Workshop. Photo: Marc J. Franklin.</image:caption>
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    <image:image>
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      <image:caption>Ryan J. Haddad in his solo show Hold Me in the Water, directed by Danny Sharron at Playwrights Horizons in 2025. Photo: Valerie Terranova.</image:caption>
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      <image:caption>Ryan J. Haddad in his solo show Hold Me in the Water. Photo: Valerie Terranova.</image:caption>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-12</lastmod>
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      <image:caption>The cast of the new musical Picnic at Hanging Rock, with book and lyrics by Hilary Bell and music by Greta Gertler Gold, now playing at the Greenwich House Theater. Photo: Matthew Murphy.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/07ec621b-d9f6-418e-be7f-ca4fca3b1503/PICNIC_AT_HANGING_ROCK_0215_PJZEDIT_v001.jpg</image:loc>
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      <image:caption>Gillian Han and Sarah Walsh in Picnic at Hanging Rock, playing through January 17. Photo: Matthew Murphy.</image:caption>
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    <loc>https://www.readthehat.com/articles/meghan-finn-the-tank-everything-is-here</loc>
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    <priority>0.5</priority>
    <lastmod>2025-12-22</lastmod>
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      <image:caption>Petronia Paley, Jan Leslie Harding, and Mia Katigbak in Peggy Stafford’s Everything Is Here, directed by Meghan Finn. Photo: Mari Eimas-Dietrich.</image:caption>
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      <image:title>Articles - Meghan Finn on Taking the Tank to New Heights - “I’ve always been interested in getting plays out of drawers and done.” —Meghan Finn</image:title>
      <image:caption>Fiasco Theater’s Without a Net initiative allows the company to stage a show while still very early in its development. Photo: Sammy Tunis.</image:caption>
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  </url>
  <url>
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    <priority>0.5</priority>
    <lastmod>2026-02-11</lastmod>
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      <image:title>Articles - The Barrow Group’s 40-Year Experiment in Realism - Make it stand out</image:title>
      <image:caption>Thaïs Bass-Moore and Tricia Alexandro in the Barrow Group production of Scott Organ’s Diversion, which drops audiences into a hospital break room. Photo: Edward T. Morris.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/b0bdbaa4-48d9-4f46-b0ef-171ab6eb57e7/DIVERSION_01%C2%A9Edward_T._Morris.jpg</image:loc>
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      <image:caption>Connor Wilson and West Duchovny in Diversion. Photo: Edward T. Morris.</image:caption>
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      <image:caption>Tricia Alexandro and DeAnna Lenhart in Diversion, which follows a group of ICU nurses. Photo: Edward T. Morris.</image:caption>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-05</lastmod>
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      <image:caption>Francis Jue during rehearsal for Lucas Hnath’s adaptation of Molière’s Tartuffe at New York Theatre Workshop. Photo: Marcus Middleton.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/a5276454-f486-49ba-9d5a-1cdde1330997/The+cast+of+TARTUFFE+at+New+York+Theatre+Workshop+with+director+Sarah+Benson%2C+photo+by+Marcus+Middleton.jpg</image:loc>
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      <image:caption>The cast of Tartuffe, which runs through January 24, 2026 at New York Theatre Workshop. Photo: Marcus Middleton.</image:caption>
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  </url>
  <url>
    <loc>https://www.readthehat.com/articles/jay-alan-zimmerman-sarah-ruhl-songs-for-hands-on-a-thursday</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/c137f1a0-ed56-443b-9ef6-afd39e53f04c/IMG_2255.JPG</image:loc>
      <image:title>Articles - When Music Becomes Visible - Make it stand out</image:title>
      <image:caption>Jay Alan Zimmerman’s Songs For Hands On A Thursday, performed in November 2025, produced by Prospect Musicals in association with New York Theatre Barn. Photo: Arden Dickson.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/b8895219-6f3b-460d-9a07-be863c700003/IMG_2248.JPG</image:loc>
      <image:title>Articles - When Music Becomes Visible - Make it stand out</image:title>
      <image:caption>The song cycle incorporates artful open captions, sign language, and visual music embedded into the stage picture. Photo: Arden Dickson.</image:caption>
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    <image:image>
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      <image:title>Articles - When Music Becomes Visible - Make it stand out</image:title>
      <image:caption>Jay Alan Zimmerman with Sarah Ruhl, whose book of poetry, 44 Poems for You, was adapted to create the theatrical song cycle Songs For Hands On A Thursday. Photo: Charles Mokotoff.</image:caption>
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  <url>
    <loc>https://www.readthehat.com/articles/judy-kuhn-interview-bakers-wife-classic-stage</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-05</lastmod>
    <image:image>
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      <image:caption>Judy Kuhn plays Denise, a waitress in a French village and the show’s moral compass, in the long-awaited New York production of The Baker’s Wife at Classic Stage Company, directed by Gordon Greenberg. Photo: Matthew Murphy and Evan Zimmerman.</image:caption>
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      <image:caption>Robert Cuccioli and Judy Kuhn in rehearsal for The Baker’s Wife. Photo: Allison Stock.</image:caption>
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      <image:caption>Alma Cuervo, Savannah Lee Birdsong, Judy Kuhn, Sally Murphy, Hailey Thomas, and Samantha Gershman in The Baker’s Wife. Photo: Matthew Murphy and Evan Zimmerman.</image:caption>
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      <image:title>Articles - Judy Kuhn on Acting through Song, Taking Risks, and Reviving “The Baker’s Wife” - Make it stand out</image:title>
      <image:caption>Ariana DeBose and Judy Kuhn at opening night of The Baker’s Wife. Photo: Allison Stock.</image:caption>
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    <loc>https://www.readthehat.com/articles/fiasco-theater-saunders-collective-comedy-of-errors</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-10</lastmod>
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      <image:caption>Real-life twins Claire Saunders and Alanna Saunders play the identical Dromios in Fiasco Theater’s Without a Net workshop production of The Comedy of Errors. Photo: Toby Tenenbaum.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/e578b99c-6f3e-470d-af19-34bb6a00c347/Fiasco+Theater+Saunders+Collective+Comedy+of+Errors+3.jpg</image:loc>
      <image:title>Articles - Fiasco and the Saunders Collective Shake Up “The Comedy of Errors” - Make it stand out</image:title>
      <image:caption>Fiasco Theater’s Without a Net initiative allows the company to stage a show while still very early in its development. Photo: Toby Tenenbaum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68923618dffe952847bb8357/65489640-e05c-44ed-838a-8018d80d8ac2/Fiasco+Theater+Saunders+Collective+Comedy+of+Errors+2.jpg</image:loc>
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      <image:caption>Trent Saunders as Antipholus of Syracuse in the sold-out, five-performance run of The Comedy of Errors at Houghton Hall. Photo: Toby Tenenbaum.</image:caption>
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    <loc>https://www.readthehat.com/articles/ruth-sternberg-seat-of-our-pants</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-24</lastmod>
    <image:image>
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      <image:title>Articles - The Stage Manager Takes the Stage - Make it stand out</image:title>
      <image:caption>Shuler Hensley, Ruth Sternberg, and Micaela Diamond in Ethan Lipton’s The Seat of Our Pants, his musical adaptation of Thornton Wilder’s The Skin of Our Teeth. Photo: Joan Marcus.</image:caption>
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      <image:caption>Ruth Sternberg in front of the Public Theater, her professional home for nearly two decades.</image:caption>
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  </url>
  <url>
    <loc>https://www.readthehat.com/articles/david-staller-gingold-theatrical-group-turns-20</loc>
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    <priority>0.5</priority>
    <lastmod>2026-02-11</lastmod>
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      <image:caption>David Staller (left) is the founding artistic director of Gingold Theatrical Group, which is celebrating its 20th anniversary of producing works by George Bernard Shaw, pictured here in 1936. Staller photo: Genevieve Rafter Keddy / Shaw photo: Wikimedia Commons.</image:caption>
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    <image:image>
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      <image:title>Articles - Twenty Years, 65 Plays, and the Man Who Won’t Let Shaw Fade Away - Make it stand out</image:title>
      <image:caption>Lizan Mitchell, Mark Evans, Synnøve Karlsen, and Carson Elrod in Pygmalion at Theatre Row. Photo: Carol Rosegg.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Articles - Twenty Years, 65 Plays, and the Man Who Won’t Let Shaw Fade Away - Make it stand out</image:title>
      <image:caption>Top left: Staller and frequent collaborator Marian Seldes; Staller on stage; Staller directing Talene Monahon and Victor Slezak. Photos: Genevieve Rafter Keddy and Maya Barbon.</image:caption>
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  </url>
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      <image:caption>Director Caitlin Sullivan and playwright Talene Monahon at the opening night of The Good John Proctor at the Connelly Theater in 2023.</image:caption>
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    <lastmod>2025-11-10</lastmod>
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      <image:caption>Matt Rodin and Jon-Michael Reese in the Keen Company production of All The World's a Stage by Adam Gwon. Photo: Richard Termine.</image:caption>
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    <lastmod>2025-11-03</lastmod>
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      <image:caption>The production uses multiple cameras and live looping systems as Tullock transitions among various characters. Photo: Jordan Best.</image:caption>
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      <image:caption>Did You Eat? choreographer Iris McCloughan and Zoë Kim in rehearsal. Photo: Emma Zordan.</image:caption>
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